5-edo divides the 1200-cent octave into 5 equal parts, making its smallest interval exactly 240 cents, or the fifth root of two. 5-edo is the 3rd prime edo, after 2edo and 3edo. Most importantly, 5-edo is the smallest edo containing xenharmonic intervals! (1edo 2edo 3edo 4edo are all subsets of 12edo.)
There is a lot of near-equipentatonic world music, just google "gyil" or "amadinda" or "slendro".
Listen to the sound of the 5-edo scale
For any musician, there is no substitute for the experience of a particular xenharmonic sound. The user going by the name Hyacinth on Wikipedia and Wikimedia Commons has many xenharmonic MIDI's and has graciously copylefted them! This is his 5-edo scale MIDI: http://commons.wikimedia.org/wiki/File:5-tet_scale_on_C.mid
By its cardinality, 5-edo is related to other pentatonic scales, and it is especially close in sound to many Indonesian slendros.
Due to the interest around the "fifth" interval size, there are many nonoctave "stretch sisters" to 5-edo: square root of 4/3, cube root of 3/2, 8th root of 3, etc.
For the same reason there are many "circle sisters":
Make a chain of five "bigger fifths" (50/33), which makes three octaves 3.227¢ flat. (50/33)^5=7.985099.
As a temperament
If 5-edo is regarded as a temperament, which is to say as 5-et, then the most salient fact is that 16/15 is tempered out. This means in 5-et the major third and the fourth, and the minor sixth and the fifth, are not distinguished; this is 5-limit father temperament.
Also tempered out is 27/25, if we temper this out in preference to 16/15 we obtain bug temperament, which equates 10/9 with 6/5: it is a little more perverse even than father. Because these intervals are so large, this sort of analysis is less significant with 5 than it becomes with larger and more accurate divisions, but it still plays a role. For example, I-IV-V-I is the same as I-III-V-I and involves triads with common intervals because of fourth-thirds equivalence.
Despite its lack of accuracy, 5EDO is the second zeta integral edo, after 2EDO. It also is the smallest equal division representing the 9-limitconsistently, giving a distinct value modulo five to 2, 3, 5, 7 and 9. Hence in a way similar to how 4edo can be used, and which is discussed in that article, it can be used to represent 7-limit intervals in terms of their position in a pentad, by giving a triple of integers representing a pentad in the lattice of tetrads/pentads together with the number of scale steps in 5EDO. However, while 2edo represents the 3-limit consistently, 3edo the 5-limit, 4edo the 7-limit and 5edo the 9-limit, to represent the 11-limit consistently with a patent val requires going all the way to 22edo.
Cycles, Divisions
5 is a prime number so 5-edo contains no sub-edos. Only simple cycles:
Cycle of seconds: 0-1-2-3-4-0
Cycle of fourths: 0-2-4-1-3-0
Cycle of fifths: 0-3-1-4-2-0
Cycle of sevenths: 0-4-3-2-1-0
There is a lot of 5edo world music, search for "gyil" or "amadinda" or "slendro".
Ear Training
5edo ear-training exercises by Alex Ness available here.
Notation
via Reinhard's cents notation
naturals on a five-line staff, with enharmonics (used interchangably) E=F and B=C
a four-line hybrid treble/bass staff.
Harmony
5edo does not have any strong consonance nor dissonance. The 240 cent interval can serve as either a major second or minor third, and the 960 cent interval as either a major sixth or minor seventh. The fourth is about 18 cents flat of a just fourth, making it rather "dirty" but recognizable. The fifth is likewise about 18 cents sharp of a just fifth, dissonant but still easily recognizable.
In contrast to other EDOs, all of the notes can be used at once in order to get a functioning scale. (As in Blackwood in 10-EDO).
Important chords:
0+1+3
0+2+3
0+1+3+4
0+2+3+4
Melody
Smallest EDO that can be used for melodies in a "standard" way. The relatively large step of 240 cents can be used as major second for the melody construction. The scale has whole-tone as well as pentatonic character.
Chord or scale?
Either way, it is hard to wander very far from where you start. However, it has the scale-like feature that there are (barely) enough notes to create melody, in the form of an equal version of pentatonic.
Commas Tempered
5-EDO tempers out the following commas. (Note: This assumes the val < 5 8 12 14 17 19 |.)
5 Equal Divisions of the Octave: Theory | 5-edo in Musicmaking
5 Equal Divisions of the Octave: Theory
"Equal Pentatonic"
5-edo divides the 1200-cent octave into 5 equal parts, making its smallest interval exactly 240 cents, or the fifth root of two. 5-edo is the 3rd prime edo, after 2edo and 3edo. Most importantly, 5-edo is the smallest edo containing xenharmonic intervals! (1edo 2edo 3edo 4edo are all subsets of 12edo.)
There is a lot of near-equipentatonic world music, just google "gyil" or "amadinda" or "slendro".
Listen to the sound of the 5-edo scale
For any musician, there is no substitute for the experience of a particular xenharmonic sound. The user going by the name Hyacinth on Wikipedia and Wikimedia Commons has many xenharmonic MIDI's and has graciously copylefted them! This is his 5-edo scale MIDI:
http://commons.wikimedia.org/wiki/File:5-tet_scale_on_C.mid
Intervals in 5-edo
in cents
interval name
-4.969¢ from diminished third 144/125
-13.076¢ from augmented second 125/108
-26.871¢ from septimal minor third 7/6
-0.686¢ from smaller fourth 33/25
-18.045¢ from just fourth 4/3
+0.686¢ from bigger fifth 50/33
-9.219¢ from wide fifth 32/21
13.076¢ from diminished seventh 216/125
4.969¢ from augmented sixth 125/72
-8.826¢ from septimal seventh 7/4
Related scales
As a temperament
If 5-edo is regarded as a temperament, which is to say as 5-et, then the most salient fact is that 16/15 is tempered out. This means in 5-et the major third and the fourth, and the minor sixth and the fifth, are not distinguished; this is 5-limit father temperament.Also tempered out is 27/25, if we temper this out in preference to 16/15 we obtain bug temperament, which equates 10/9 with 6/5: it is a little more perverse even than father. Because these intervals are so large, this sort of analysis is less significant with 5 than it becomes with larger and more accurate divisions, but it still plays a role. For example, I-IV-V-I is the same as I-III-V-I and involves triads with common intervals because of fourth-thirds equivalence.
Despite its lack of accuracy, 5EDO is the second zeta integral edo, after 2EDO. It also is the smallest equal division representing the 9-limit consistently, giving a distinct value modulo five to 2, 3, 5, 7 and 9. Hence in a way similar to how 4edo can be used, and which is discussed in that article, it can be used to represent 7-limit intervals in terms of their position in a pentad, by giving a triple of integers representing a pentad in the lattice of tetrads/pentads together with the number of scale steps in 5EDO. However, while 2edo represents the 3-limit consistently, 3edo the 5-limit, 4edo the 7-limit and 5edo the 9-limit, to represent the 11-limit consistently with a patent val requires going all the way to 22edo.
Cycles, Divisions
5 is a prime number so 5-edo contains no sub-edos. Only simple cycles:Cycle of seconds: 0-1-2-3-4-0
Cycle of fourths: 0-2-4-1-3-0
Cycle of fifths: 0-3-1-4-2-0
Cycle of sevenths: 0-4-3-2-1-0
5-edo in Musicmaking
Compositions, improvisations
There is a lot of 5edo world music, search for "gyil" or "amadinda" or "slendro".
Ear Training
5edo ear-training exercises by Alex Ness available here.Notation
Harmony
5edo does not have any strong consonance nor dissonance. The 240 cent interval can serve as either a major second or minor third, and the 960 cent interval as either a major sixth or minor seventh. The fourth is about 18 cents flat of a just fourth, making it rather "dirty" but recognizable. The fifth is likewise about 18 cents sharp of a just fifth, dissonant but still easily recognizable.In contrast to other EDOs, all of the notes can be used at once in order to get a functioning scale. (As in Blackwood in 10-EDO).
Important chords:
Melody
Smallest EDO that can be used for melodies in a "standard" way. The relatively large step of 240 cents can be used as major second for the melody construction. The scale has whole-tone as well as pentatonic character.Chord or scale?
Either way, it is hard to wander very far from where you start. However, it has the scale-like feature that there are (barely) enough notes to create melody, in the form of an equal version of pentatonic.Commas Tempered
5-EDO tempers out the following commas. (Note: This assumes the val < 5 8 12 14 17 19 |.)